Six in July

I read six books in July.

 

The Lady in the Park by David Reynolds

I enjoyed David Reynold’s travel memoir The Road to Brownsville (and have yet to read his family memoir Swan River) so I was interested to see that he’d written a cosy-ish crime novel featuring Max, a retired CID inspector, as a private investigator; Max’s sidekick as it were is his observant six-year-old grandson which worked really well.

 

‘When a woman is found unconscious on a ping-pong table in Peckham's Warwick Gardens, it looks like a case of mistaken identity. Why would anyone want to injure this popular local mum of six?’ Danny spots a vital clue in CCTV footage.

 

I look forward to the next outing of this duo.

 

 

Long Story Short by Victoria Walters

Hmmm. Wasn’t keen despite its literary agent/book publishing background.

 

 

Wycliffe and the Tangled Web by W. J. Burley

When I was in Orkney in the summer we passed a hall with a jumble sale, raising funds for the RNLI, and couldn’t resist going in. It was a jumble sure enough … after a good rummage the cousin I was with found a dress for a couple of pounds that she was delighted with. The ladies running it were so lovely and chatty I wanted to buy something so (last of the big spenders) I paid 50p for this tangled tale. I quite enjoyed it, and its Cornish setting, but I couldn’t really believe in the victim, a very troubled teen called Hilda.

 

So, as a palate cleanser as it were, I reread Clock Dance by the peerless Anne Tyler.

 

 

 

The Cliff House by Christopher Brookmyre

A take on Agatha Christie’s And Then There Were None – a hen party on small island goes very very wrong. Brilliant.

 

Days Without End by Sebastian Barry

My first Sebastian Barry but definitely not my last. What a staggering feat – to sustain the voice of teenage Irish-born Thomas McNulty, driven to emigrate to the United States after the death of his family in the potato famine. After signing up for the army, Thomas and his beloved friend, ‘Handsome John Cole’, fight in the Indian Wars and the Civil War, both viscerally described, and gain and lose comrades along the way. When they think they have finally settled down to farm life, the past comes back to haunt them.

Six and a bit in September

I read six and a bit books in September.

An Affair Before Christmas by Eloisa James

In August I fell for Paris in Love by Eloisa James (aka Professor Mary Bly, Professor of English Literature, Fordham University, New York), a work of non-fiction that made me want to try her Regency romances. The heroine of An Affair Before Christmas, part of her Desperate Duchesses series, is Lady Perdita Selby, known to her friends as Poppy. Poppy is madly in love with – her own husband, the Duke of Fletcher, but all is not well in their four-year marriage. A good read – will find out sometime why the other duchesses were desperate.

Slow Road to Brownsville by David Reynolds

I saw David Reynolds at the Book Festival, attracted by the premise of his book – an account of the trip he took a couple of years ago, driving by himself from Winnipeg, in the south of Manitoba, Canada, down Highway 83 to Brownsville, Texas.

He’d made the trip to Winnipeg a few years earlier to track down what happened to his grandfather (a story he told in his book Swan River: Memoir of a Family Mystery). It was then that he heard of Highway 83, and was astonished to find out that the road went all the way through North Dakota, South Dakota, Nebraska, Kansas, Oklahoma to Brownsville – 2271 miles.

Whereas interstates are new, American highways, I learnt, more or less all follow the former buffalo trails so his travels were through the old Wild West. He’s a wonderful writer and I’m grateful to him for doing this road trip for me to enjoy vicariously very much indeed.

House of Silence by Linda Gilliard

This is one of the books I mentioned in a previous post Patchwork Pieces.

Orphaned by drink, drugs and rock n’ roll, Gwen Rowland is invited to spend Christmas at her boyfriend Alfie’s family home, Creake Hall – a ramshackle Tudor manor in Norfolk. Soon after she arrives, Gwen senses something’s wrong. Alfie acts strangely towards his family and is reluctant to talk about the past. … When Gwen discovers fragments of forgotten family letters sewn into an old patchwork quilt, she starts to piece together the jigsaw of the past.’

Very intriguing. I liked the way this was told – sometimes by Gwen in the first person and sometimes it’s her in third; Rae, matriarch of Alfie’s family, also has a voice. The family secret is rather weird and wonderful, although with the brooding sky on the cover and an ancient manor house called Creake Hall I expected the story to be more gothicky.

The Carriage House by Louisa Hall

Set in Philadelphia now and described as being Jane Austen meets John Cheever. Didn't agree. Didn’t get past chapter 4. Nuff said.

The Bookstore by Deborah Meyler

Esme Garland is an English girl in Manhattan, a student of art history at Columbia University. Under the terms of her scholarship she’s not supposed to work but circumstances render her in need of extra dollars and she gets a part-time job in a second-hand bookstore – a wonderful shop, sadly one of the few remaining in New York (this was published in 2013). Elegantly written and with great characters – I loved it.

Made me wonder though. Esme’s erstwhile lover, Mitchell, is from one of those rich American families who live in NY and have a weekend ‘cottage’ (ie another massive house) in Long Island. They’re all screwed-up, manipulative and unhappy. Is this how such families are in real life or just in fiction? If anyone knows of a modern novel with a rich American (or any nationality) family who are cheery and appreciative of their lot do let me know.

Took it into my head to reread two school stories (which is why my TBR pile will never get smaller): Lucy Brown’s Schooldays by Dorothy Vicary and The New Girls of Netherby by Judith Carr. Neither stood the test of time.

I was sorry that TNGoN hadn’t because I remember reading it over and over when I was about nine, so much so that I wrote in the back ‘This is one of the best books I’ve got.’ But this time round I couldn’t help noticing the ‘bad writing’: how the point of view jumped around; how the characters never ‘said’ anything – they ‘retorted pertly’, ‘protested indignantly’, ‘returned evasively’, ‘sighed solemnly’, ‘echoed impulsively’ etc. Etc. And the two girls from Ireland were more Oirish than the Oirish (‘’tis a wonderful sight you are, mavourneen … ’).

But I certainly didn’t notice all that when I was nine – what I wanted was to be the heroine, Sally Nicol, because she won a writing competition which led to her being offered a full scholarship to boarding school, to Netherby Hall. That appealed to me because I was not just the only girl in my class in my rural primary at the time, but the only pupil – the thought of boarding school fills me with horror now though.

I did learn a small piece of social history from Lucy Brown (first published 1951) – apparently you could take laddered stockings to be ‘invisibly mended’ in ‘an invisible mending place’. Who knew?