Jolly good books

I have collected girls’ annuals for many years now, having never forgotten the excitement on Christmas morning of feeling the familiar shape of a parcel, knowing it would be a Judy or Bunty or June or Princess annual. I’d have it read before breakfast. Then I’d read my sister’s.

Now I have around 350 annuals, bought in second-hand bookshops and jumble sales, spanning a hundred years of girlhood. Thanks to Mr Handyman putting up lots of new shelves last week I now have the whole collection together and can display some of the lovely covers face out. The names are as brilliant as the pictures: Topping Book for Girls, Girls’ Golden Annual, Girls’ Merry Book, Jolly Days for Girls, Our Girls’ Tip Top, Splendid Book for Girls, Stirring Stories for Girls. I feel merry and jolly just looking at them.

Some are stand-alone and some are allied to weekly magazines – I love the Girls’ Crystal and Schoolfriend annuals.

 

But closest to my heart, the one I’d rescue if the house were on fire, is Princess Gift Book for Girls 1965,  falling apart because it was so pored over when I was the age in this picture.

Sadly, in the 1990s, when I had a daughter to buy magazines and annuals for, even those stalwarts Judy and Bunty were no more and what had replaced them were product/character-related publications none of which were topping or merry or jolly or stirring at all, just crassly commercial. The stories were banal and unambitious, apparently assuming that every little girl wanted to wear a pink dress and a sparkly plastic tiara and aspire to marry a Hollywood prince. And when girls were too old for the plastic tiara, the magazines/annuals were all about relationships, celebrities and worrying about your appearance.

Compare that narrow view of what life has to offer with Princess Gift Book for Girls 1965. Along with ‘Stories of Horses, of Islands, of Mystery, of the Circus’, there’s ‘The Tale of the Jackdaw of Rheims (in verse)’, ‘The History of the Fragrant Rose’, ‘How we made a film’, ‘Wendy’s year – full of things to make and do’ and much more.

However that varied list of contents pales into complete insignificance compared to The Girls’ Own Annual, Volume Fifty-Nine, edited by Gladys M. Spratt and weighing in at a whopping 620 pages. There isn’t a publishing date but the first item is ‘Earl Baldwin’s Call to Youth … delivered by the ex-Premier to ten thousand young men and women … at the great Empire Rally of Youth … May 1937’.

The contents list runs to three large pages in tiny type – dozens of stories and articles. Thinking about your appearance is catered for –  eg ‘Hair, Take Care of Your’ and ‘Keep Fit’ (by Dr Victoria E. M. Bennett, M.B., B.S. (Lond.), D.P.H. (Cantab.) no less).

But other articles include: ‘Try four-handed chess’; ‘How to form a harmonica band’; ‘Alpine sporting’ ‘Careers: Dental mechanics, What about science?, Why not try Massage, Medical gymnastics, Electricity, Flying as a career for Girls … ’; and so on and so on … and on.

It’s easy to mock its earnestness (and even after reading the careers advice I’ve no idea what medical gymnastics are) but here, thirty years before a bra was burnt, the focus was on what a girl could do and be.

The real world had its barriers but in the world of Girls’ Own Annual girls could do and be anything they chose.

And that sounds jolly good to me.

Interview with Jake Walker Curley

Glasgow Green by Edinburgh-based writer Jake Walker Curley was published at the end of 2013. A gritty thriller, it tells the story of forty-year-old Joe Ray leaving prison in 2006, after twenty years inside. Hoping to lead a good life on the outside from now on, he falls for Margaret, but Margaret is in danger. Her sister has just been murdered and powerful men want her out of the way too. Will Joe have to kill again to protect her?  At the same time, a cull of main players in Glasgow’s underworld is taking place. Everyone knows that Joe’s old school pal JJ McGuire is responsible, but why? Joe knows why, just as he knows the terrible secret McGuire has kept hidden for twenty-eight years. Now more secrets are about to be hidden on Glasgow Green.

I asked Jake some questions about Glasgow Green and about his writing.

Jake, congratulations on the publication of your first book. I believe that you came up with the idea when you attended a screen-writing class and had to write a fifteen-word strap-line. Can you tell us what that line was?

“A man leaves prison determined to make amends for the crimes he got away with.”

And how did it develop from there? How long did the book take you to write?

I had already written a short story “McGuire” loosely based on a well-known Glasgow gangster. When asked to come up with a fifteen-word premise for a movie I turned to McGuire’s childhood friend Joe who was in the same short story.  He had just completed a twenty-year sentence. That gave me two of the main players and when I introduced Margaret (Joe’s future love interest), the story took off, but JJ McGuire, demoted to supporting character, still dominates proceedings.

I have been writing the book off and on for about eight years. I wasn’t sure I could write a novel. I was consumed for a while with getting the word count up to 100,000 words and then it went to 120,000 before being edited down to around 80,000.  But the editing process was enjoyable and it definitely adds pace, taking in others opinions (those who’d read the original manuscript) was liberating. I found it very worthwhile making suggested changes because it is paramount that the reader get the story.

Have you ever known anyone like JJ McGuire?

Oh yes. McGuire is an amalgam of gangland figures, past and present.  I describe him as the equivalent of Alexander the Great born in Glasgow’s east end.  You grow up there among good people but there are some dangerous individuals in the mix.  They can laugh and joke with you, appear empathetic but cross them at your peril. This same is true of childhood to a lesser extent. People don’t just turn bad as they hit sixteen.

The book is told from various viewpoints, all the characters moving towards the finale on Glasgow Green. Did you plot it all first or work it out as you went along?

I have tried to show the good and bad sides of all the characters and that includes Glasgow itself. Good people do bad things and bad people do good things. Glasgow Green is a place of outstanding beauty but after dark things change. The place holds bad memories and dark secrets for Joe, Margaret and JJ McGuire and it will hold a lot more.

I did not plot the book out at all, I had the starting point of Joe’s release and the difficulties life had thrown at the book's other main players. The story grew from there. When it came time to reach the book's climax, I went back to Glasgow Green and walked the same paths my characters would walk. It’s the perfect movie setting and helped so much in completing the book.

 The dialogue is very sharp. Do you read your work aloud to get that right?

Yes I do. Speaking the dialogue aloud definitely helps to strengthen their voices and bring conversations to life. I found it quite amazing how quickly a few lines of dialogue can move the story forward and how one character's reply can place a sudden twist in the plot.

Glasgow Green is a great title. Was the book called that from the start?

No, it was originally called “Best Hoorah”. Joe was a late baby, much younger than his siblings. Joe’s father would say that Joe was his ‘last and best hoorah.’ Then the book became “Amends to a Dead Man” a more plot-driven title.  It was only after completion that I came up with Glasgow Green. The Park itself is a major player in the main characters lives. At the end of the book the new title made perfect sense.

Some light moments in the book are produced by Joe getting to grips with a world where so much has changed over the last twenty years: for example, he tries to work out how to use a mobile phone, and wonders what ciabatta bread is. Did you enjoy looking at the world through Joe’s eyes?

Yes, it was good to look through Joe’s eyes. I did not want to labour the point of change, but the mobile phone was useful in that respect. Nearing the latter years of his sentence Joe would be aware of them. On the outside he would be wary of them. He would be astonished and puzzled as to how people could openly carry on such private conversations in public.

I do hope things worked out for Joe and Margaret … will there be a sequel?

Yes, there will be a sequel. I was surprised by the number of people, who having read the book, asked this question. So the sequel is under way.  As for Joe and Margaret I am looking forward to seeing how things pan out for them. They call Glasgow Green the lungs of Glasgow and the sprawling park will again be a major player.

Thank you for answering my questions, Jake. Look forward to your next book.

Glasgow Green is available in print from Waterstone’s and Blackwell’s in Edinburgh, and Kesley’s of Haddington at £6.99

It is also available from Tyne and Esk Writers and is on Amazon at £6.99 and Kindle at £3.79.

Eleven in January

So far I’ve kept to (one of) my New Year resolutions which was to record the title of each book when I’d finished reading it.

In January I read eleven books:

1. Christmas at High Rising by Angela Thirkell

A Christmas present. I’d heard of Angela Thirkell, who was a best-seller in the thirties, but had never read her before. Virago has reissued three of her novels and this book of short stories in very pretty covers. The stories are a little mixed in their quality but do inspire me to put her novels on my wish list.

2.The Vault by Ruth Rendell

Good old Wexford, now retired, helps with a multi-murder enquiry. A sense of place is always a big part of Ruth Rendell’s writing and as Wexford and his wife are borrowing a house in London we get a guided tour of some beautiful and some seedy parts of the capital.

3. Carnegie’s Call: Developing the Success Habit by Michael Malone

A timely and enlightening set of interviews with entrepreneurial Scots including Michelle Mone, Sir Tom Farmer, Muriel Gray and Graeme Obree.

4. The View from Castle Rock by Alice Munro

I find Alice Munro’s stories quite difficult to read, I must admit, which is why this book sat on my shelves for seven years before I got round to reading it, even though I knew that the ‘Castle’ was Edinburgh Castle. I wish I’d got round to it earlier. I absolutely loved it and will read it again. Partly truth and partly fiction, it’s the story of her family, from her Scottish Border ancestors (one of them was the Ettrick Shepherd James Hogg) and their early days in their new life in Canada. That was a brilliant read but even better is her own childhood and young adulthood in small-town Ontario in the forties and fifties – acutely observed, heart-breaking, droll, and sooo beautifully written.

5. Kept in the Dark by Nina Bawden

I bought a pile of books including two Nina Bawdens from the Christian Aid book sale last May and must finish them all to justify a visit to the sale this year ... This book is for older children. It was much darker than I expected, quite disturbing in fact. When their father is ill three children go to stay with hitherto unknown grandparents. A typical plot device to get parents out of the way – but here an unwelcome visitor turns up, a grandson of their grandfather’s by his first marriage, who, although not described as a sociopath, behaves like one.

6. Water’s Edge by Jane Riddell

Family conflicts, set beside a beautiful lake in Switzerland. I interviewed Jane about Water’s Edge here.

7. The Peppermint Pig by Nina Bawden

A gentle read compared to Kept in the Dark but nonetheless dealing with realistic characters in difficult situations.

8. The Tailor of Inverness by Matthew Zajac

Hadn’t heard of this until recently although, in play form, it has apparently been a very successful Edinburgh Festival Fringe show. Actor Matthew Zajac investigates his father’s family history and traces long-lost relatives. His father grew up in what is now Western Ukraine, and the Second World War of course caused havoc in that region. He ended up having a happy life as a tailor in Inverness but some of the stories he told Matthew turned out to be not quite accurate …

9. Glasgow Green by Jake Walker Curley

A gritty thriller from a new Scottish writer. I will say no more now as I shall be interviewing Jake next week on this blog.

10. Nightingale Nurses by Donna Douglas

Nurses in the East End of London in the thirties. A satisfying read, the last in the trilogy, after The Nightingale Girls and The Nightingale Sisters.

11. Highland Doorstep by Kenneth A Macrae

A journalist takes a tour round a corner of Inverness shire in the early fifties. Thrilled to see an uncle of mine mentioned!

Interview with Jane Riddell

I’ve just finished reading the very enjoyable Water’s Edge and as I know the author, Jane Riddell, through the Edinburgh Writers’ Club, I was able to ask her some questions about her work.

Congratulations, Jane, on the publication of Water’s Edge.

 Can you pitch the book to us – in 140 characters?

What a challenge!  Okay, here goes:

Set in Switzerland, Water’s Edge is a contemporary drama where secrets, guilt and regret turn a happy family reunion into a stormy one.  

Water’s Edge is published by ThornBerry Publishing. How has the publishing experience been for you?

The most positive thing about being published is the boost in self-esteem and self-belief.  For years, every time I described myself as a writer, I felt like a fraud.  This no longer happens.  The first few days after I heard that ThornBerry wanted to publish my book, I wandered around with a cosy little glow inside me.  It was lovely.

What has been a surprise is the amount of effort I have to make in order to promote my book. I was naïve enough to think that once I was published, the work was done and the royalties would roll in.  In fact, as my publisher told me, the hardest part today is not getting published, it’s selling your books.  Consequently much of my working time is now spent on promoting/marketing Water’s Edge, involving learning another set of skills.  I liken it to starting a new job with no induction, training, supervision or guarantee of a salary.  Over the last year or so, I’ve learned much about how to promote myself, and am now more realistic.  It does involve time and uncertain outcomes, but there’s a pleasant side to it, for example, at the moment I am contacting people on Linkedin to suggest we interview each other or review each other’s books.  This mean I’m getting to know writers from a range of English-speaking countries, all interested in promoting their work.

The book is set in Switzerland – is that somewhere you know well?

 

I’ve had a few holidays in Switzerland, mainly to ski.  As a child, on my first family holiday abroad, we drove to Austria, stopping off in Brunnen, Switzerland for the night.  We stayed in the wonderful old Waldstätterhof Hotel, (featured in Water’s Edge, but not Madalena’s hotel).  Amongst other things, I loved the fact that you entered the hotel to hear a pianist in the drawing room.  It wouldn’t surprise me if some day I write a book based on the Waldstätterhof – it lingers in my memory.

Being an enthusiastic traveller, I like to set my novels in other countries.  This allows me to spend ‘head’ time in a sunny landscape, when those around me are enduring yet another blustery, wet Edinburgh afternoon.  After I finished the first drafts of Chergui’s Child, based in the south of France, I thought about having an alpine setting for my next novel.  As I love mountain and lake locations, Switzerland came to mind.  Shortly after, I spent four days in Brunnen.  It was only when I arrived there that I decided to make it the setting for Water’s Edge.  It still intrigues me why I didn’t make the connection earlier!

 Did any real-life people inspire your characters?

 

A few aspects of Vienne’s character are based on me, mainly her health worries, the way she is slow to take reassurance she isn’t ill.  But other than that, not in this novel.

Madalena, Portia, Vienne and Annie each have a ‘voice’ – did that take a lot of advance planning?

It did, yes.  I was aware of the importance of varying the voices, so I spent time thinking about speech patterns, favourite phrases, and the attitudes I wanted to convey.  This is quite hard to do – although you need to incorporate pet words, as with so many aspects of writing, it’s about balance – too many, and it becomes irritating/self-conscious writing, too few, and they’re not enough to depict the character.

 Anita Brookner’s Hotel du Lac is mentioned in your book several times. Did you feel that it was the elephant in the room, so to speak – that the Swiss lake-side setting of Water’s Edge would inevitably bring Hotel du Lac to the reader’s mind?

No, I didn’t, but I think that my novel was probably inspired by Hotel du Lac, albeit subconsciously. When writing the first draft of Water’s Edge, I didn’t know that the hotel used in the film version is actually on Lake Luzern.  (In the book, the protagonist, Edith Hope, is exiled to a hotel on Lake Geneva.) 

 Which do you prefer – the writing or the editing process?

 

Probably the writing process, especially when ideas are flooding my mind and words haemorrhage out – this happened with the initial draft of Water’s Edge.  Editing is pure slog, although there’s the pleasure of re-reading a piece of text and seeing how it has strengthened.  I’m convinced enough of the value of  a comprehensive edit to have written a small editing guide (Words’Worth: a fiction writer’s guide to serious editing, also published by ThornBerry), but admit to finding the process time-consuming, tedious and hard work.  At least you can edit when you’re not feeling particularly creative/inspired, and know that your book is progressing.

What are you writing now?

I am completing a rewrite of Chergui’s Child.  This tells the story of Olivia who inherits a fortune after her aunt dies, at the same time learning something significant about her past which propels her on a life changing journey.   It should be finished by Easter. 

Where can we buy Water’s Edge, and where can we find your website/blog?

Water’s Edge can be purchased from Amazon in both Kindle and paperback formats:

http://www.amazon.co.uk/Waters-Edge-Jane-Riddell/dp/1909734039

http://www.amazon.com/Waters-Edge-Jane-Riddell/dp/1909734039

And from Barnes and Noble in paperback:

http://www.barnesandnoble.com/w/waters-edge-jane-riddell/1117376643?ean=9781909734036

My author’s website: http/www.quietfiction.com  

My editing website: http://www.choicewordsediting.co.uk

My blogs:  http://wwwbloggercom-janelilly.blogspot.co.uk/         and

http://lillias-bakhtin.blogspot.co.uk/

 Thank you for answering my questions, Jane. Look forward to your next novel.

Wagging my tale

Those very nice people at Alfie Dog Fiction (one of the biggest short story download sites on the internet) have made me Featured Short Story Writer of the Week. A loud woof woof of thanks to them.

I have five stories on the site. I’ve just been looking at them again and remembering what inspired them.

Angel was a second prize-winner in Writers’ Forum’s monthly competition before being on Alfie Dog. The gestation of this story shows the way the mind can make connections between otherwise very unrelated items and events.

At the weekly (and wonderful) drop-in creative writing class I go to we did an exercise where everyone brought in an object which was passed round for people to feel, with their eyes closed. Someone brought in a glove puppet. It was actually in the shape of a penguin but I thought it was a rabbit. I started writing it in class and finished it at home and somehow ended up with a story set just after the First World War and featuring a toy rabbit, a stone angel and an Ouija board. I find that period heartbreaking – so many bereaved mothers – and fathers – unable to accept their sons were gone.

Bonnie Prince Charlie was previously published in Woman’s Weekly. My idea here was to take the story of Bonnie Prince Charlie hiding from his enemies in the western isles in the eighteenth century, and make it contemporary. In my version the enemy is the paparazzi in search of a scoop.

Molly’s Christmas Candle I wanted to write a Christmas story and remembered nativity plays my children were involved in. I was delighted when this title was chosen to be in Alfie Dog’s recent anthology A Wish for Christmas (in print as well as an e-version).

Sam Something was previously published in Woman’s Weekly. That began with a picture of two girls – the prompt for a short story competition in the now defunct Woman’s Realm magazine. The story wasn’t placed but it became the first story I had published in Woman’s Weekly. It also appears in the Alfie Dog anthology Came as “Me”, Left as “We” (in print and e-version).

The Real Thing was in Woman’s Weekly too. It was originally written for the Jane Austen Short Story Award and long-listed. It’s about a contemporary Mary Bennett and her gay best friend, Will.

Now, she said, wagging her tale, if you would be so kind, don’t paws, go walkies to the Alfie Dog site, hand them a few pennies and any or all of these stories can be yours to download – and there are another twelve hundred or so to choose from.

And please excuse my puns.

Woof woof.

On the shelf ... and on the floor

I have a very nice notebook for the purpose of keeping a list of books I’ve read. Unfortunately I hardly ever remember to use it. So one of my New Year resolutions is to keep it in a more handy place and at the end of December to be able to look back over my reading year.

Even without such a record to refer to I know that there is no system to my reading/re-reading. Occasionally I arrange a pile of books beside my bed and vow to read them in the order in which they are stacked. But then, I’ll be scanning a bookshelf and something – new or oft read – catches my eye and that is what I want to read and no other book will do. Or that month’s book group title has to be put to the top of the pile. Or I like a particular book so much all I want to read is something else by the same author. Or I’ve finished a book and don’t want to start a brand new one late at night so reach for an old favourite. So the bedside pile gets scattered and re-formed any old how.

Now there are also e-books … I have a Kindle app on my laptop with, currently, fifty-six titles waiting for my attention. And of course there are all the books I’ve seen reviewed/have been recommended waiting to be bought/downloaded/borrowed from the library.

In a parallel universe I would have a year (or three) off and do nothing but catch up on all of these.

I can’t remember what I’ve read over the whole year but these, not in any order, are some from the last few months, fiction unless otherwise stated:

Gilead by Marilynne Robinson (a re-read)

The Greengage Summer by Rumer Godden (a re-read)

Bella’s Betrothal by Anne Stenhouse (Anne’s second Regency novel following Mariah’s Marriage)

The Complete Book of Aunts by Rupert Christiansen (non-fiction)

The London Train by Tessa Hadley

A Capital Union by Victoria Hendry (for book group)

Austerity Britain 1945-51 by David Kynaston (non-fiction, half finished)

 Penny Plain et al by O. Douglas (an O. Douglas (sister of John Buchan) is what I usually reach for as a late-night comfort blanket; her titles are mostly out-of-print but The Day of Small Things has been reissued by Greyladies Publishing. I know them all almost off by heart.) 

Princess Tina Annual 1969 (new addition to collection of girls’ annuals; approx 380 so far; planning to blog on this subject soon)

The Nightingale Girls / The Nightingale Sisters by Donna Douglas

The Home Corner / The Dance Settee and other stories by Ruth Thomas

Instructions for a Heatwave by Maggie O'Farrell (for book group)

The Unlikely Pilgrimage of Harold Fry by Rachel Joyce (for book group)

Face the Wind and Fly by Jenny Harper 

I am currently reading: on Kindle app Carnegie’s Call by Michael Malone, in anticipation of hearing Michael’s motivational talk to the Edinburgh Writers’ Club on 6 January; and in paperback Ruth Rendell’s last Inspector Wexford novel The Vault (I tend to go on a crime-reading spree every January); also enjoying a Christmas present, a huge book on quilts from the American Folk Art Museum.

Now I’m off to rearrange that to-be-read pile yet again and to place the Books Read notebook by its side.

Do you have a reading plan? I would love to know what it is (and if you stick to it).

My Writing Process blog tour

Thank you to Jane Riddell for inviting me to My Writing Process blog tour. Jane took part in the tour on 16 December and her answers can be found on:  http://wwwbloggercom-janelilly.blogspot.co.uk/

My Writing Process

What am I working on?

I always have several projects on the go which could explain why I have not (yet) got past 37,000 words on anything; that was the length of my first People’s Friend serial The Family at Farrshore. I am currently writing another serial for them and have just submitted the second instalment for comment. I have several magazine stories at various stages of completion, a romantic novella almost finished, and about 20,000 words of what will be a full-length novel if I live long enough. Plus, from various writing classes, workshops and other prompts I have dozens of ideas – stories-in-waiting.

How does my work differ from others of its genre?

I don’t know if anyone reading my work blind (as it were) would know straight away that it was mine; that’s not for me to say. But I write in different genres and styles. If I’m writing a story that I plan to submit to Woman’s Weekly I would write it slightly differently from a People’s Friend story. A story aimed at New Writing Scotland or a national competition would be very different from both of those.

It’s odd what your sub-conscious throws up. A writing friend, who reads some of my work-in-progress, asked me the other week why twins figure frequently, and even a set of triplets. I have no idea! I do recognise, though, that some of my preoccupations appeared in my first PF serial so I’ve made a list of what not to include in the second one: archaeology, dogs, kittens, red-heads, Canadians, ceilidhs, kilts; and I will cut down on mentions of home-baking. As for multiple births … well, who knows?  What my characters get up to when I’m not looking is their business.

Why do I write what I do?

I mostly write women’s magazine short stories because I’ve been fortunate enough to have had around thirty published and hope to have more. I like the discipline of a word count because it focuses your mind on what is important in the story. I like knowing who my audience is before I start.

But I also like writing into the wind and going where it takes me; writing slightly obliquely – leaving gaps for readers to fill; writing poetically. I also love writing descriptions of scenery and there’s not much place for that when you’ve got a word limit.

How does your writing process work?

I wish I could but I don’t think I’ve ever started with a character in mind; it’s either a situation or a setting that I then have to put people in and get to know them. I’m usually a good way in before I realise what the story is about and who is important in it. So it can be a slow process.

I’m not a plotter; that’s why, I think, I work on more than one thing at a time. A solution for one plot development can occur to me when I’m thinking about another.

I start writing on the computer; if I get stuck I work on something else, as I’ve said, or else I write in longhand for a while, in pencil on unlined paper. That frees me up to proceed without the inner editor interfering and I think it allows the brain to make connections it wouldn’t otherwise. I would never send off a submission without first printing it out, reading it aloud and editing on paper.

Read about Regency novelist Anne Stenhouse’s Writing Process on http://annestenhousenovelist.wordpress.com/

On 6 January 2014 My Writing Process blog tour visits three terrific writers:

ANNE STORMONT

Anne is a writer and teacher and grandma. She lives in the Hebrides. She can be a subversive old bat but maintains a kind heart. She likes gardening, hiking and riding pillion on her husband’s motor-bike.

She believes – indeed she knows – that there is life after forty, and she writes thoughtful, grown-up, romantic fiction where the main characters are older but no wiser. She has published one novel Change of Life as an indie author and her second book Displacement will be out early in 2014. She blogs at http://annestormont.wordpress.com/ – where you can find out lots more about her.  

JENNIFER YOUNG

I’m a writer of many parts – I write travel as well as fiction – and even within the fictional world I’m always experimenting, trying my hand at a whole range of genres. Based in the beautiful city of Edinburgh, I find it impossible not to be influenced by the places I visit and the people I see around me.

To date my published work consists of short stories in The People’s Friend, Woman’s Weekly and The Lady. My first full-length novel, Thank You For The Music will be published as an ebook in February 2014 by Tirgearr Publishing http://tirgearrpublishing.com/authors/Young_Jennifer/index.htm

My blog: http://jenniferyoungauthor.blogspot.co.uk/

and website:

http://217.199.187.57/jenniferyoungauthor.co.uk/index.html?1378816644234

JENNY HARPER

I was born in Calcutta – hence my fascination with this buzzing city – but I now live in Edinburgh, Scotland. I’ve seen all sides of the publishing business, as a commissioning editor, journalist and novelist. My published books include a children’s novel and a romantic novel, as well as a number of books on Scotland and Scottish themes. My history of childbirth, With Child, Birth Through the Ages ­(written as Jenny Carter), is used as a reference by many historical novelists. It’s still available on Amazon!

Awards

Runner up in BBC Woman's Hour/Woman's Weekly 'Romantic Novelist of the Year' competition and winner of the Romantic Novelists Association's Elizabeth Goudge Award. Numerous awards for feature writing and magazine design.

 

RNA

Designed the RNA magazine Romance Matters 2006-2012, and Fabulous at Fifty, the RNA memoir

Oversaw the RNA rebranding

Novels

Face the wind and fly

Loving Susie

http://www.jennyharperauthor.co.uk/

Twitter @harper_jenny or find me on Facebook

http://novelpointsofview.blogspot.co.uk/